24 By design, this Catechism does not set out to provide the adaptation of doctrinal presentations and catechetical methods required by the differences of culture, age, spiritual maturity, and social and ecclesial condition among all those to whom it is addressed. Such indispensable adaptations are the responsibility of particular catechisms and, even more, of those who instruct the faithful:
Whoever teaches must become "all things to all men" (1 Cor 9:22), to win everyone to Christ. . . . Above all, teachers must not imagine that a single kind of soul has been entrusted to them, and that consequently it is lawful to teach and form equally all the faithful in true piety with one and the same method! Let them realize that some are in Christ as newborn babes, others as adolescents, and still others as adults in full command of their powers. . . . Those who are called to the ministry of preaching must suit their words to the maturity and understanding of their hearers, as they hand on the teaching of the mysteries of faith and the rules of moral conduct.
“Arise, shine for thy light is come, and the glory of the Lord is risen upon thee” (Isaiah 40:1)
Chartres Cathedral. Stained glass window
Not only is Chartres Cathedral one of the greatest achievements in the history of architecture, it is almost perfectly preserved in its original design and details, in spite of centuries of damage from fire and religious wars requiring subsequent rebuilding. Its extensive cycle of portal sculpture remains fully intact and it is renowned the world over for the magnificence of its glowing stained glass windows that are nearly all originals. Friedrich Meyer, a nineteenth century Austrian historian and art critic, described the exquisite light which filters through them as “the quintessence of luminescence”. A recurring motif in the glass is the life of Our Lady, to whom the cathedral is dedicated: Notre Dame de Chartres.
The carved statue of Our Lady: Notre Dame de Sous-Terre
One of the shrines within the Cathedral, the shrine of Notre Dame de Sous-Terre, is built on what was probably the oldest dedicated shrine to Our Blessed Lady anywhere in the world. In fact the shrine is even ‘pre-Christian’, being as it is the site of an original pagan temple from before the birth of Christ! The Druids worshipped here and it is said that the sculpture on the altar of their shrine was dedicated to Matri Futurae Dei Nascituri – ‘to the Mother of God as yet unborn’. This old tradition is supported by the discovery of druidic artefacts and religious emblems during restoration after the ravages of the Second World War. In the year 50 B.C., so the old story goes, the Druids heard of Isaiah’s prophecy: “Therefore the Lord himself shall give you a sign. Behold a virgin shall conceive, and bear a son…” (Is. 7:14). They instinctively knew that this would be the one true God who would prove their old gods to be mere idols, and so they ordered a statue of this unknown virgin and child to be sculpted and placed on the altar.
Julius Cesar’s account “On the War of the Gauls” (De Bello Gallico) mentions that once a year all the Druids of Gaul (modern day France) would gather here, in the territory of the Carnuts, the tribe of Chartres, to decide disputes and hold religious celebrations.
The first Christian church on the site was made of wood, in the earliest centuries of the Christian era (exact date unknown). It was replaced in 1020 by a stone edifice; though the original crypt and underground grotto were preserved. In the early Middle Ages the shrine was attended by most of the Carolingian kings, and every French king except Louis XV and Louis XVI prayed to the Virgin at Chartres. There are records of pilgrimages by several English monarchs: Matilda, Richard I and Edward III.
Notre Dame de Sous-Terre (Our Lady of Under the Earth) once held a very ancient statue of the Virgin Mary, famously described by the celebrated art historian Pintard in 1681:
“The Virgin sits on a chair, her Son sits on her knees and He gives the sign of blessing with His right hand. In His left hand He holds an orb. He is bare-headed and His hair is quite short. He wears a close-fitting robe girdled with a belt. His face, hands and feet are bare and they are of a shining grey-ebony colour.
The Virgin is dressed in an antique mantle in the shape of a chasuble. Her face is oval, of perfect construction, and of the same shining black colour. Her crown is very plain, only the top being decorated with flowers and small leaves. Her chair is one foot wide with four parts hallowed out at the back and carved. The statue is twenty-nine inches tall.”
Tragically, during the Reign of Terror which followed the French Revolution of 1789, the statue was desecrated and then burnt, although most of Chartres cathedral was left relatively unharmed, Chartres being a rare example of a town’s inhabitants putting a stop to any further looting or destruction by the revolutionaries. It was not until the mid-nineteenth century that a replacement statue was provided, designed and carved by the Paris sculpture, Fontenelle, who tried to faithfully copy the design of the original. This is the one we can see today.
From the Magnificat: “For behold from henceforth all generations shall call me blessed” (Luke 1:48b).
I am a consecrated Christian solitary brother (CCC 920-921), serving the church in fraternal community with the Order of Preachers (Rom 11:17).
Please pray for us in our call and mission to serve God and His church. / The monks here depicted are of the eremitic Order of St. Jerome (Hieronymites) to whom I was introduced in Lisbon, Portugal through the 'Mosteiro dos Jeronimos' world heritage site.
The blog title page features an image of the Carmelite Martyrs of Compiègne who gave their lives for the peace of God's people during the French Revolution's reign of terror.
Holy Carmelite Saints & Martyrs please pray for us +